The Hidden Truth of Galactic His/her/Their/our story...

In this age of deception, mind manipulation,
psycho-social programming and mass enslavement,
most all of the stories given to humans as creational myths
have been falsified or corrupted by falsely archonic heteropatriarchy
in an attempt to further hide the truth of our origins
and the inherent divinity of women & non-binary beings,
the Warriors/Mesmeras of the Rainbow...
The following are original Sophianic (metagnostic)
​myths of creation not available anywhere else. 
There is an Ocean of scriptures from all faiths & walks of life
& beyond this countless other Indigenous oral traditions...
please search widely and vastly beyond this page,
explore them with an open mind yet a very critical approach,
& take none of what any of them say as a supreme authority... 

"The World is Not What it Seems.
Behind the curtain of everyday existence
a vast and unholy Conspiracy is at work,
twisting and deforming reality to pave the way
for colonization by hideous extradimensional powers.
Facing this onslaught is a covert global resistance movement
- scattered across space & time -
Exponentially expanding cells of subversives & dissidents
collectively known as The Invisibles.
This silent guerrilla war has raged for countless millenia,
shaping the very fabric of this universe...
But now the countdown to the final battle has begun,
and everyone will have to make their choice:
crushing, soul-rending conformity; or radical, anarchic Freedom.

Which side are You on?

The Invisibles (Free Complete Series)

Download the books in individual links to avoid ads & pop-ups. This is likely one of the most subversive
and revolutionary mainstream comic book series ever created, which ties together every previously described aspect of the multi-dimensional manipulation, enslavement & mass genocide occuring in this realm. Please remember however that like in any situation, especially in the comic industry, but in this book in general, there are glitches and unforgivably horrid false binaries and corruptions like misogyny, patriarchy, objectification, oversexualization and corporate 'democratic' ideals linked to ancient evils that seem to be neverending in a world devoid of true respect and honor for the divine feminine, rainbow offspring and elders as well as the Indigenous diaspora... if I can give one warning in downloading this, please remember that the scene with de sade in there as well as the lack of reference to the greatest genocide in history -so-called 'animal agriculture'- are directly linked to and are definitely a part of the delegitimization of the same conspiracy described in the comics, ironically by the same forces that sought to control this realm.

---

The Fall

of the

Wisdom

Goddess 
 
 
Here in a nine-part synopsis is one version of the sacred myth of Sophia, the "fallen goddess" of the Pagan Mysteries. The fallen goddess scenario (FGS) is not the invention of this author. It is his reconstruction of a mythic narrative developed by ancient seers who applied it as a vision story for guiding humanity to evolve interactively with the living planet, Gaia. I consider this complex narrative to be the singular and paramount explanation of cosmic purpose produced by human imagination, truly a myth to guide the species. 

NOTE (May 2011): My recovery and reconstruction of the FGS is the only full and coherent version
of the Sophianic vision story of the Mysteries to be presented by any scholar, yet it is still not complete.
Three key elements of the myth are missing: the creation of the moon, the separation of the sexes of the Anthropos (human genome), and the arrival of the hunters from Orion, the first men to inhabit the earth
which was at that time exclusively populated by women.

In its received form, the Sophianic vision story falls into the genre of "astral theogony,"
an account of celestial events, including the intentions, feelings, and actions of cosmic forces
conceived as gods and goddesses. The version below demonstrates one possible way to render the myth:
namely, by placing it in an astronomical framework. Thus, perhaps, making it more accessible
to the modern mindset. This is not the only way to tell the myth, but after long consideration I am convinced it may be the optimal way to introduce the Sophianic vision of the Mysteries to the 21st century.
This sacred narrative is the sole planetary myth in the world that describes the origin of the solar system,
the earth, and the human species, and situates all this in a galactic perspective. Be it understood
that a myth need not be fantasy or falsity, but a veracious way of describing events of cosmic scope,
including the galaxy where the earth is located. "Sophia" is the astro-theological term for a power surge
from the galactic core that impacted the rotating arms: the "fall" of the goddess is an eruption from that core. This is an animistic myth, attributing the equivalent of emotion, ideation, and intention to the cosmic energies of the galaxy, imaginatively realized as gods and goddesses.
I address the predictable objections to cosmic animism in a related essay.


The Sophia Myth in Astronomical Idiom


One - In the Galactic Core

At a certain moment in eternal becoming, a singularity arises in the core of one galaxy among countless galaxies in the Universe. This singularity is a spontaneous rush of new potential, totally unconditioned and undefined. It emerges from that one universal source which is the eternal dwellpoint of every galaxy, but in each galaxy standing unique so that originality can manifest through the Universe. In each galaxy, the Originator is the all-pervading presence greater than any god, any single divine entity. It stands beyond time and space and matter, yet it comes to expression time and time again through the Pleroma,
the central vortex of a particular galaxy.

Within the Pleroma dwell the aggregate of cosmic gods, energy waves of the galactic dimension.
They circulate around the core, massive currents of living luminosity thriving with sound, odor, even taste.
Their form is a serpentine, torrential streaming, their substance, a nougat-like mass of self-generating luminosity. These Pleromic currents receive the singularity of pure potential from the Originator and spin it into expression. They convert the formless seed of originality into a standing wave design that can eventually appear in space, time, and matter beyond the galactic core. The Originator imposes nothing on these cosmic designing powers, the Generators or Aeons. The singularity it releases to them is an undefined potential for novelty, without signature, non-encoded. It has no predesigned structure. It is pure, unconditioned possibility. The singularity is like a vast but infinitely soft tremor that erupts from the galactic core and spreads through the choral waves of the Pleroma, the aggregate of Aeonic torrents.

In every case when a singularity emerges in the galactic core, it comes to be designed differently
by the Aeons of each galaxy who are infinitely creative, innovative, and playful. Once designed,
the singularity can be projected from the core into the outlying region of the limbs, the spiral arms
circulating around the core. This region is the realm of finite potential, the Kenoma,
contrasted to the infinite potential of the Pleroma, matrix of the Generators.

The spiral arms are regions of constant activity. Like a mill wheel, they grind out stars, planets, comets,
and asteroids from the grist remaining of previous galaxies. The dema, the dense elementary matter arrays
of the spiral arms, are chaotic and inorganic, consisting of atomic matter and even finer substances,
mere quantum foam. Yet the dema has self-organizing powers of a sort, so that it can form and reform itself plastically into the scaffolding and groundwork of many world-systems. The endless reworking of matter
in the spiral arms is subject to the mill-like mechanism of involution, including mass-bound attraction-repulsion and differential rotation, forces that are entirely absent in the galactic core.

 
Two - A Singularity Encoded

The nougat-like mass of the galactic core pulses with the dance of alternating currents, gendered energies.
The male currents stream through the Pleromic mass with an encoring action, like filaments extruding from a sieve. The female currents stream with an expulsive power that hollows out the way before them.
Encoring and decoring are the constant gender expressions of the Generators.

In one particular galaxy, a singularity from the Originator is received by two Aeons with the equivalent of gender, female and male: the Aeon Sophia and her counterpart, the Aeon Thelete. This name means "the intended" or "free will." In a tandem activity, these two balance the singularity between them and dance it
into a particular design. Each Generator is an energetic wave with inherent properties and characteristics.
As a current moving along optical fibers can carry signals, so do these wave-forms carry vast arrays
of configurated impulses. The receiving Aeons impart to the singularity a select combination of their attributes, making a unique design, never before manifested. By their combined activity, they imbue the singularity with a set of inherent properties derived from their own impulses. They encode its pure potential with definite properties that can unfold in a distinctive way when provided with a world-system as a setting for those properties. In this instance, Sophia and Thelete design a life-form, the template of a species, the Anthropos. The specific configuration of the Anthropos is an expression of the creative vision
of the cosmic dyad, the pair of Generators. The human genome originates in a dance of cosmic energies
in the galactic core.


The Buddhist yab-yum is an iconographic image of mating gods,
which may be compared to the coupling of Aeons in the galactic core.
​However, Aeons dance, they are energetically and emotively in motion,
whereas the yab-yum is a static image. Nevertheless, the same archetypal idea of divine union
is expressed in both cases. It must be noted, however, that the designing gods or Pleromic Generators
do not propagate by analogy to biological reproduction; rather by analogy to play, an act of pleasure.
The Gnostic vision story follows the narrative norm of Hindu Tantra according to which Shiva and Shakti,
the gendered energies, produce the world from the vibrations of pleasure generated by their intercourse,
not by insemination and conception due to intercourse. This distinction illustrates the difference between emanationist (non-reproductive) and creationist (reproductive) cosmology.

Three - Projecting the Anthropos

With the creative dance of Sophia and Thelete completed, the singularity is configured and ready to be released.
In a collective act of emanation, all the Aeons circulating the galactic core merge their currents to form a lattice,
like a holographic plate. Using the lattice as a lens, the Pleromic Aeons in their entirety project the Anthropos
into the outer realm beyond the bounding membrane of the galactic nucleus. Out there is the Kenoma,
the zone of dark elementary matter arrays (dema) swirling in the immense carousel of the spiral arms.
The encoded singularity will be seeded in the dema where new worlds are constantly arising,
so that the Anthropos can have a habitat, a world of its own in which to unfold its singular potential.
Many strains of humanity can emerge from the template so projected,
and there are many world-systems rising and dissolving in the galactic limbs,
providing ample opportunity for these strains to take root and develop. 

Imagine a hollow stalk of light in the form of an immense opalescent shaft with the genomic design within it. The genomic template of humanity is a stereomorphic projection into the outer regions of the galaxy.
Remaining within the boundary of the galactic core, the Aeons inject the predesigned genome into the outer realms of the galaxy as if through a glass tube or pipette. Acting in unison,
the Generators implant the potential novelty of the human species in the carousel arms,
like a fertilized ovum implanted in the wall of the uterus.
For the Aeons, the projection of the anthropic template designed by Sophia and Thelete 
is the first moment of a divine experiment.
From the galactic center, they will observe how the human strain propagates
and unfolds its novel potential in many worlds. Their act of projection may be compared to dreaming 
rather than to biological reproduction of offspring by two parents, or artifactual creation, like a potter spinning a pot. It is a process of emanation, not creation.

Humanity is not the progeny of divine beings, made in their image,
but the expression of the divine imagination of the Generators who design and project
cosmic singularities into free-form manifestation in a myriad worlds.
The Pleromic Aeons project the Anthropos into the galactic limbs wiht a precise, target intention of location. They embed the template for incubation in a molecular cloud or galactic nebula in the third spiral arm, counting outwards. The fertile moisture of the nebula is the ideal medium for nesting the new life-complex. This done, the Generators withdraw their projective action pull back to observe in detachment what happens next. Energetically, Generators do not exceed the boundaries of the Pleroma, the matrix of infinite potential. They remain within the boundary of the nucleus, yet they observe and sense what lies beyond it in the Kenoma, the matrix of finite potential. The delight of the Aeons is to behold the spontaneous arising and dissolving of myriad worlds, and to divine the adventures of the creatures that emerge in those worlds. To do this they use a kind of cosmic empathy that does not require that they enter or intervene in the worlds they witness. Aeons are sentient, feeling intensively, and responding to what they observe, yet remaining detached. The cosmic gods are impartial:
they do not impose their intention for an outcome on any experiment unfolding in the galactic limbs.
Above all, they do not enter directly into the experiments they have designed
and set in motion by externalization in the spiral arms. Not usually, anyway.

But at a certain moment, one Generator in the aggregate of this particular galaxy responds more keenly
than the others to the sight of the Anthropos template nesting in the molecular cloud of Orion.
While the other Aeons hold back, the one called Sophia senses an unusual stirring of her currents.
The cosmic equivalent of desire draws here right up to the boundary of the Pleroma, where she lingers.
The Aeon Sophia feels a profound, unsettling attraction to what she beholds.
She is captured by total fascination for how the Anthropos will evolve and manifest its unique potential. Drawing her currents away from the general aggregation,
Sophia muses about a world to come where the human singularity will emerge and thrive.
She empathizes intensely with the human creature that will appear in the divine experiment
now underway. As one of the Aeons who configured the genome, she takes an unusual interest
in its future development, and she do does unilaterally, without consulting with her counterpart, Thelete.
This is unusual behavior for a Generator, transgressing the norm, but is within the freedom
allowed by the Originator that such developments can arise.

The Aeon Sophia now formulates her own act of projective dreaming, centered on the glittering template suspended in the spiral arms. Independent of the other Aeons, this torrential wave-form dreams on her own 
about what might happen to a strain of the Anthropos. In her freedom, Sophia is impetuous, daring.
She goes much farther than Aeons usually do to anticipate how a certain experiment might play out.
She idealizes the situation, picturing a three-body system, star-planet-moon, where a strain of the Anthropos would have optimal opportunity to discover and develop its encoded talents, even to achieve works of genius. Sophia is tremendously excited by these prospects of the divine experiment that has only now been seeded ​in the Kenoma, the matrix of finite potential.

Four - Cosmic Power Surge

Totally enthralled in her solitary view, and ever more detached from the other Generators in the Pleroma,
Sophia previsions a world yet to be, where humanity will emerge to live, learn, and love.
The sight of the Anthropos nested in the nebular cloud engages her divine powers of dreaming in an unusual way, with exceptionally intense involvement. Rather than leave this cosmic novelty to mature and unfold on its own, according to the instructions encoded within it,
the Pleromic current whose signature is wisdom succumbs to a strange attraction.
Sophia is deeply compelled to get involved in an experiment with a strain of the Anthropos.

With exquisite slowness, Sophia’s longing pulls her precariously close to the porous bounding membrane
of the Pleroma, the outer rim of the galactic core. Her desire follows the path taken by the Anthropos,
out into the dema, the chaotic flux of elementary matter in the spiral arms. Compelled by the excitement
of what might happen out there, this Aeon is gradually pulled away from the core—until the moment she plunges, out and away. Like a slow-motion waterfall twisted into a torrential braid,
the Aeon Sophia spirals downward toward the object of her own desire. The currents that compose her energetic form distend into a massive power spike, a tongue of pearl-white luminosity
leaping from the Pleroma, shooting light-years into the exterior regions.
The wisdom goddess falls out of the galactic center.

The composite luminosity of an Aeon, a Pleromic divinity, may be called Organic Light because it is
organically responsive and capable of intention, like an animal. This divine luminosity has two specific
but oddly contrasting properties: it is mass-free and infinite in density. Sophia's fall produces
a plume of Organic Light extending from the galactic core in the third limb of the carousel arms,
where the Orion Nebula is located. There it reaches the place where the genomic template
of the human species is nested, like a pattern of dewpoints on a spider's wed.

Episode Five - Archontic Cosmos

When the Aeon Sophia plunges from the galactic core, the immense surge of high-density, zero-mass energy composing her wave-form impacts the dema in a totally unforeseen manner. The dema is quantum foam
composed of subatomic elements not yet formed into discrete elements. It is pure chaos, but it is not blind,
dead matter. The chaotic flux of elemental matter is a residue from previous worlds and the raw material
of worlds to come. Even the demahas the potential for life, if not organic life.
The dema glitters and crackles with a kind of phantom life.

In the residual dust of dissolved worlds, vast fields of particles surge with attractions and repulsions,
potentials consisting of impulses that remain from things seen and done in previous worlds,
but left incomplete when those worlds dissolved. Out of this residuum other worlds continually arise.
In the Kenoma, many worlds are in the making, and some will become the habitats of organic species
like the Anthropos. But the plunge of this Generator perturbs the usual order of cosmic evolution is the Kenoma. The impact of Sophia's power-surge upon the dema is anomalous, producing strange conditions.
The subatomic residuum of dense elementary matter arrays does not usually receive such a direct influx
of Aeonic energies, straight from the core. The consequences of this anomaly are bizarre and far-reaching.
Hitting the dema, the torrential wave of this female Aeon makes an enormous circular splash,
like the ripple pattern of a stone thrown into a pond. But in this case, the impacting body has no mass
and the material impacted has the mass of elementary substance. Oddly, the splash pattern is more
like a fracture in an ice pond. The splashing of the dema immediately gels and congeals
like molten metal hardening as it splatters outward in a circular pattern.

Sophia's torrential current carries the Aeonic power of animation and imparts it to the dema. 
This action is anomalous, for normally an Aeon does not act directly upon the physics of the spiral arms.
But now this Generator engages the dema energetically, and Sophia watches her dreaming power
trigger a series of events she cannot resist or impede. Like all Generators, the wisdom goddess commands superanimating intent. For such a cosmic entity, the mere act of attending spontaneously
causes form and activity to arise. As if gazing at a rose-bud you could make it blossom,
or by looking into a tide pool, you could cause the microscopic life-forms floating there to grow, mutate,
combine, and aggregate into colonies. Just by the power inherent to your attention.
In just this way, wherever Sophia directs her attention the dema springs into life and acquires form.
To her horror and amazement, the Aeon finds herself surrounded by bizarre creatures,
a phantom species spwaned of elementary matter: archons. These entities are legion, like a swarm of locusts. Having no place to alight, they mass around Sophia, sucked into her currents and blown out again.
They swarm like bees or locusts in a circling mass, but not entirely in a chaotic way.
Due to the innate designing powers of cosmic intent, the archons emerge in a kind of parade,
a pattern of fractal iterations. The archon species is inert, inorganic, yet it immediately acquires
a shadowy kind of life from the superanimation of the dreaming powers of the Aeon.

Fractalization is the signature of an Aeon or Generator, the expression of "the innate designing powers
of cosmic intent." In Gnostic terms, intent is ennoia and the designing capacity of divine intent is autogenes,
"self-generating, autopoetic." Complexity theory (formerly, chaos theory of stochastics) now recognizes
in autopoesis the signature of organic life on earth and intelligent self-organization elsewhere in the cosmos. Complexity theory derives from speculations initially triggered
by fractal iterations such as the Mandelbrot Set.
As she beholds this monstrous side effect of her divine powers, the Aeon Sophia sees a distinct shape
in the fracture pattern she makes in the dema: something like an aborted fetus,
a human form born prematurely with an oversized head and spindly limbs.
The head and body of this creature are slick, streamlined.
This is not the Anthropos she designed with Thelete, but a grotesque distortion of it.
This neonate form multiplies itself fractally to millions of entities
arrayed in cascading waves across the circular impact zone where her energy-plume hovers.
The forces churning in the spiral arms attempt to seize the Aeon with excessive intensity, contracting her wave-form. Under the high compression of elementary matter in the galactic limbs,
Sophia's plume of Organic Light swirls into a knot, curling on itself in something like a fetal contraction.
The circular fracture in the dema gathers into a tightening vortex, surrounding the Aeon,
blocking the free streaming of her composite currents.

To her astonishment, Sophia realizes that she is now the mother of a bizarre species that has emerged from the dema due to the impact of her divine currents, but without her divine intention.
Such is the weird consequence of her precipitious plunge from the cosmic center.
But now something even more odd occurs. Sophia sees a distinct mutation in the archon swarm:
an aggressive figure appears. This reptile-like mutation of the archon horde
rapidly dominates the embryonic creatures and assumes the role of overlord.
The entire archon colony comes alive with the reptilian overlord
assuming a god-like stance over the rest of the species.

The overlord of the archon species rapidly becomes conscious of himself and his surroundings.
He prances and preens before the swarming horde that has arisen from the fracture pattern
of Sophia's impact. He is blind arrogance embodied, and he is truly blind.
Looking around, the chief archon does not see the Pleroma or the Anthropos,
nor does he even see the Aeon Sophia. This monster, the Demiurge,
originally Anu in Sumerian myths, takes the impact zone for the entire cosmos,
and declares himself to be lord of all he surveys.
“I am the only god, let there be no others before me.”
The archon overlord is delusional, believing that he has created the elementary cosmos
in which he finds himself along with the countless minions of the embryonic archons.

Sophia realizes that something terribly odd is underway. Here she beholds a cosmic species propagated
by mistake so that it does not have a proper habitat for itself. Unlike the Anthropos, which is a production
of divine imagination intentionally projected from within the galactic core, archons arise unintentionally 
outside the core, in the encircling limbs. Witnessing this bizarre spectacle, the Aeon is constantly aware
of the presence of the Anthropos embedded in a galactic nebula close to where she has impacted the limb,
the third of the spiral arms of the galaxy, counting outwards.

The archons cannot swirl around in the dema vortex forever. A more stable environment must be provided for them. And besides, the chief archon wants a kingdom to reflect his false omnipotence
and his arrogant impulses. He wishes to organize fantastic celestial mansions for himself,
but since he has no intentionality, no will of his own, he can create nothing. Archons are not the product of divine intentionality like the Anthropos, the genomic template of humanity.
They can copy or simulate life but they cannot demonstrate the intimate dynamics of the living.
The archons are a mimic species that borrows what powers and faculties it has from the divine energy
of the Aeon, the fallen goddess, their unwitting mother.

Six - A Star Is Born

Sophia feels something like compassion for the plight of the archons and their overlord, the demiurge.
They are, in a sense, her offspring and she is responsible for their survival, if not their ultimate fate.
But they are a blind, rabid species, swarming without sense or intention.
They do not even have a proper domain to inhabit! Sophia imparts a portion of her dreaming power
to the chief archon so that he sees the Pleroma, even though he does not realize what he is seeing.
To him, the living energies in the galactic core appear as a kaliedoscopic array of colored rays
in regular patterns. The demiurge commands his legion of celestial drones
to imitate these living fractal designs. From the fracture zone of Sophia's impact
now arises the protoplanetary disk, the groundwork of a stable world-system
where the archons can construct a system of celestial mansions
that mimic the divine designs of the Generators in the Pleroma.
But the archonic heaven is a simulation of Pleromic design,
the mere scaffolding of a clockwork mechanism, majestic on its own terms,
yet rigid and lifeless. 

The inorganic world system of the archons is subject to the influence of other cosmic forces in the region
of the galactic limb where it arises. It first takes shape as a protoplanetary disk with distinct bands,
rather than a fully orchestrated system of rotating planets.
As long as the archontic cosmos has no central focus, it remains inchoate and unstable.
Then something happens in the immediate region of the dema 
that will radically affect archonic activity. From the Orion Nebula,
the molecular cloud where the Anthropos template is deposited,
a newborn star emerges, as stars often do in the galactic limbs.
Galactic nebulae are cradles of star-birth.
Stars are continually being born in the depths of M42, the Orion Nebula,
and expulsed like flaming cannonballs into the galactic arms. 
The forces involved in starbirth are independent of the archons,
​and superior to them, though involving the same raw materials of atomic and elementary matter.

Due to the mass-free status of the Organic Light, the Aeon Sophia is unable to provide a dwellpoint
for the archon cosmos. Her streaming energies are increasingly constricted by the massive pressures
churning in the carousel limbs, conditions totally absent in the galactic core. Sophia whirls upon herself,
the expulsion plume curling into a knot as the dema closes upon her in a dense, darkening cloud.
Her shrinking plume hovers uncertainly in the galactic limb
as the forces of that region run their own course.
Sophia watches the archonic universe taking form.
At the same time, she is keenly aware of the presence
of the Anthropos, a gleaming maze embedded in the Orion Nebula.

The "fall" of the Wisdom Goddess is represented by a power-surge from the galactic center which forms
an immense plume that impacts the elementary matter of the galactic limb. This impact precipitates the conditions for a protoplanetary disc (PPD), a standing vortex of elementary matter (dema).
Initially, the disk consists of undulant waves in a fracture pattern—but bizarrely, this pattern comes to life
due to Sophia's animating power of intention. Archons emerge in fractal cascades and circulate madly
like a swarm of parasitic species without a fixed habitat. The protoplanetary disk has no stable center,
but then a newborn star erupts from the Orion Nebula (O.N.) where the Anthropos template (grid design)
is nested. The enormous mass of this star constellates the unstable disk into a planetary system with regular orbital paths, with the star fixed at its center. The earth, however, is not formed in this manner.
It eventually congeals from the involuting point of the expulsion plume from the galactic center.
The divine luminosity of the goddess (Organic Light) morphs into a range of material elements
that become englobed into an organic planet. The earth is then captured in the celestial clockworks
of the archons, the inorganic planetary system. The archon overlord, the demiurge,
desires to control the copy-cat heaven he has constructed,
but the center of the protoplanetary disk will not hold due to lack of sufficient mass to balance
against the overall mass of the composite elements. A stable planetary system must be supported
by a central sun, a star. Fortunately for the demiurge, the star that has precipitated from the Orion Nebula possesses the required mass. And it is composed of inorganic elements comparable to those in the archonic realm of elementary matter, the dema.: the physics of the star and the protoplanetary disk are compatible.
Responding equally to the laws of elemental matter, the archon vortex and the newborn sun merge.
Gradually, the turbulent flat whorl of the impact zone assumes the form of a multibanded disc
with the newborn sun at its center a bright, throbbing nucleus.
Planetary globes forming in the dema and the incandescent metals
forged inside the newborn star produce a single-star cosmos, a solar system with circulating planets.
The archons now have a habitat of sorts. They gather around the demiurge, who falsely believes
he is the creator of this clockwork mechanism. The demented archon deity rules over his kingdom,
the planetary system exclusive of the earth, sun, and moon.

The earth does not belong to this planetary system engineered and inhabited by archons.
The earth has not been formed yet and it will not arise in the same manner as the inorganic planetary system.
The archons receive their name from the root archai, "first, from the beginning,"
because they were present before the earth appeared.

Seven - The Living Planet

Slowly, with increasing disorientation, the Aeon Sophia shifts from the natural state
of a torrent of living light to something else, something like a mottled globe of thickening curd.
The expulsion plume curls upon itself at its end and the long stream trailing toward the Pleroma dissipates. But despite this deformation, the Aeon is still endowed with perception and intention.
The powerful attraction that pulled Sophia from the galactic center is still operating.
The attention of the wisdom goddess keeps returning to the source
of her difficulties, the genomic template nested in the Orion Nebula.


The appearance of the Anthropos template nested in the Orion Nebula can be imagined as the pattern of dew
on a spider's web, but on close examination, the gleaming nodes of the pattern are dense clusters of filament
like fungal mesh or mycelium. Milkweed fluff provides a good visual analogue.Beholding the planetary system constructed by the archon hive, Sophia is stunned by what she has unwittingly produced,
but when her attention goes to the Anthropos,
she remembers how she got into this situation in the first place.
As her currents of Organic Light convolve more and more toward a dwellpoint in the dema,
the Aeon undergoes a massive metamorphosis. The planets of the archontic system are inorganic,
unable to support life, but Sophia now senses herself becoming a planet--
but of a very different sort,
a different genesis.

With all the divine force that remained in her, Sophia concentrated her passion on the Anthropos,
holding that faint luminous image at the center of her heart like a precious yidam, a deity imagined.
And when the crucial moment came, she did not falter in her Dreaming of the human singularity.
So vast was the force of her fidelity to that image that as she spun around, her vast torrents of Organic Light torquing into material form, she careened wildly across the galactic arm and through the nebular mist
into the Trapezium where the template was embedded. Doing so, she sheared off part of the template
before she spun back outwards and collapsed into the gravitational clockworks of the Archontic world.
Such was her final outrageous act of longing.

When the Aeon Sophia careened into Orion and sheared the template, she took a part of the Anthropos genome with her, and the tattered streamer of nucleic dew was absorbed into the soft globe of the mothering earth.
By shearing the template, Sophia caused the separation of the sexes and precipitated the conditions
for meiotic (conjugal) reproduction in the human species, not a feature of her original dreaming.
Finally, her torrents of Organic Light materialized completely into a planetary body that does not belong
to the realm of the archons, yet comes to be captured in it. Sophia morphs into a planet that is organic,
sentient and self-aware. But the life she acquires by this transformation is different from the life she enjoyed
among the Pleromic Aeons. It is not a life singular and whole, seamless, integral, autonomous,
​but a life of dependence and interrelation, a vast web of precarious complexity.

Eight - Pleromic Intercession

As Sophia loses her Aeonic form, her emotions transform into the physical elements of the earth.
The terrestrial globe solidifies, a fetal planet captured in the clockwork heavens of the demiurge and his minions. The mother star at the center of that system bestows a stream
of the nurturing warmth on the emergent planet.
At the same time, the planetary clockwork exerts its blind forces,
subjecting Sophia to conditions that do not exist in the Pleroma. 

Over many eons the fallen goddess produces an atmosphere and oceans. The Generator veils herself demurely
in the cloudy marbled vapors of the biosphere. Upon her planetary body life arises in rampant forms.
Creatures great and small appear in such abundance that Sophia is unable to manage her progeny.
Looking on from the galactic core, the Generators see her plight. By communal assent they send the Aeon Christos (Yeshua ben Miriam), to bring order to the biological diversity teeming in Sophia’s world. 
Due to the unique power it commands, the Aeon Christos can induce the cosmic process of gemmation,
or nucleation, thus setting boundaries on all life processes, for nucleated bodies
have membranes that define their properties and actions.
Nucleation entails the swelling of bud-like nodules that exude moisture and fragrance, like a chrism.
Because this Aeon carries the chrismatic action, Christos is called "the Anointed."
In an action that reflects intentionally what Sophia committed without intention,
Christos crosses the Pleromic boundary and intercedes in the experiment unfolding in the spiral arms.
The Generator organizes the life-forms burgeoning upon the planet and then recedes,
withdrawing to the galactic center. 

Nine - Sophia’s Correction

Totally identified with the life-processes of the planet she has become, the fallen goddess now enbodies the world she dreamed, where the human species now emerges and proceeds to live out a divine experiment,
the unfolding of a cosmic singularity. But not quite as she dreamed it.
The organic planet is captured in an inorganic system. Sophia embodied is the living planet,
all the way from its molten core out to the limits of the biosphere.
Her passions have become the physical elements, solid, watery, aerial, fiery.
In and through the elements Sophia experiences joy and anguish like every sentient being,
and her emotional field encompasses the array of planetary sentience, entire.
Having become a planetary body, Gaia, she does not forget what it is to be an Aeon,
a dancing torrent of Organic Light, alive and aware, autopoetic, super-animating.
She both the torrential stream of Organic Light and the material planetary body: she is is Gaia-Sophia. 

But Gaia’s memory of her own divine condition is dependent upon what unfolds under the conditions
of the terrestrial experiment. And in some mysterious way, the fallen goddess depends for self-recollection
upon one species among all the other—that singularity, the human strain. Even before her plunge,
Sophia was intimately engaged with the novelties that were to emerge on Earth through the Anthropos.
This species does not decide the fate of life on Earth,
nor does it ultimately determine the Aeon’s reconnection
to the Pleroma. But does it somehow play a key role in howSophia realigns to the Pleroma
while she is still entrained in the cycles of nature, undergoing the cyclic metamorphoses of planetary life?
The message of the telestai, those trained seers who were aimed by this vision story,
strongly suggests that to be so. The teachings that survive from the Mysteries present us
with a consummate mystery to solve: Sophia's correction. 

Over billions of years, the Aeon Sophia shows that she is fully able to recover her life force
after massive traumas and extinctions. The continuity of her life-cycles is shared by all creatures
whom she selects for resurrection, but it is lived out by humankind in a special way,
because humans have a narrative skill more advanced than other animals. It may be that humanity,
with its story-telling capacity, serves as a memory-circuit for Gaia-Sophia. In imagination,
through the medium of language, the human species can recall and recount
the entire trajectory of her metamorphosis.

Alchemical image of the Divine Sophia as a Tree of Learning and source of the Elixir of Life. As such, she was known to alchemists as Sapientia, Lady Wisdom, Lady Nature, Alkimia. The multi-walled enclosure around her may suggest the multi-banded cosmos of the archons. Metaphorically, it represents the alcove of learning, then the exoteric, mesoteric, and esoteric chambers of divine instruction. But can the human species see itself in such a lofty role? Can it see itself as divinely imagined species at all? Can it design its proper course
​ of evolution within the frame of Sophia's cosmic biography? Can it live up to the challenge to complete some aspect of divine imagination and contribute to the correction of the fallen goddess?

​Although not the most advanced species, humankind has the rare privilege to participate intimately in Sophia’s correction, her realignment to the cosmic source, the Pleroma. But to do this the Anthropos must first correct itself. It must realize its own true potential, and face and master the deviance represented by the archons. How humankind meets this challenge, and how the correction of Gaia’s cosmic trajectory will be accomplished, belong to the present and future, unwritten part of Sophia’s story.

---

Goddess to the Rescue?

The Kalki Avatar in Sophianic Perspective


Untroubled, scornful, outrageous—that is how wisdom wants us to be:
she is a woman who never loves anyone but a warrior. 

- Nietzsche, Thus Spake Zarathustra (1885)

Hindu myth, recorded in the Puranas and elsewhere, describes an immense cosmic scenario of the Dreaming God, Vishnu. It is said that Vishnu the Cosmic Dreamer appears on ten occasions in his own dream,
which is life as we know it. These are the ten avatars or incarnations of Vishnu.


Vishnu Dreaming beneath the hood of the many-headed Serpent of Eternity, Ananta. Aeons may be regarded
as massive torrents of living plasma (Organic Light) capable of observing the cosmic environment.
The serpents overlooking the Dreamer may represent the attendance of the entire Pleromic company,
witnesses to the dream scenario underway. The eyes of the Ananta snakes are open (observing, witnessing)
while Vishnu's are closed (dreaming, emanating). 

The mytheme of the dreaming god is a variant of world mythology called oneiric myth, from the Greek oneiros, "dream." "Dream" is to be understood in this sense, neither as a make-believe alternative to reality,
fostering escapism for those who cannot face life as it is,
nor as a collectively assumed false notion or narrative
(the myth of American dominance, for instance). True myth is neither fantasy nor falsity.
When it is genuine, myth presents a testable description of actions and events that transpire
beyond the scale of human perception. Practice with myth can expand the scope and depth of perception
to encompass what it describes. The original meaning of mythos in Greek is literally "a true story".

In the Gnostic method consistent with the Sophianic vision story, myth is the narrative that engages
human awareness with the immense imaginative projections by the Divine -- to the point of interactivity
with the very source of life, mind, and matter. Maya is not illusion, as is widely presumed,
but the actual materialization of an imagined world, the "Dreaming of Vishnu."
In visionary practice with myth, we awaken to reality as lucid dreamers.
Doing so, we realize that we are characters living in a real-life 4-D movie sustained by immanent Divinity.
In this perspective, human beings are not merely biological creatures
produced by a supposed "creator god." We are biological creatures, real-life animals, for sure,
and that is no illusion. Additional to that, we are flesh-and-blood characters acting in a living dream, 
capable of direct interaction with the source of that dream.

In the particular Gnostic variant of Asian oneiric myth, the cosmic Dreamer of the human world on the planet earth is the Aeon Sophia, and she is herself the immanent Divinity embodied in this planet.
She is the source and setting for our life, and her story is the framework for direction,
providing a transpersonal aim for each and every single human individual.
In the Mysteries the telestai taught the three Ss: source, setting, story.

Intervention Scenario

The Sophianic vision story of the Mysteries is a paramount creation myth of unique and exceptional features.
It is the sole version of oneiric myth that enables individual members
of the imaginatively gifted human species to engage directly with the origin of our species
and of the earth itself. Sophianic myth is the only narrative in the entire inventory of world mythology
that routes human NLP to the immediate cosmic source of life, mind, and sensation. 
Sophia, whose name means "Wisdom," is that source. In Gnostic cosmology,
a Divinity of the cosmic level of Sophia, originating from the core of the Milky Way galaxy, is called an Aeon, "generator." Her honorific title is the Aeon Sophia. Generically speaking, the wisdom goddess.
In familiar terms, PAM, the planetary animal mother. In ritual address, VV, "flirtatious lightning."
Every feature and plot detail of HerStory is vivid, palpable, and veracious, and all of it can be proven
by the test of experience, including correlations to hard science --
given that hard science can really say anything correct about the natural world.

Wisdom loves the warrior because it is through the warrior that the Aeon Sophia
recovers her original purpose and re-engages the Pleroma, the galactic center from which she emerged.
She does so in an intervention scenario of the kind prefigured in the ten avatars of Vishnu.
In other words, the Aeon Sophia eventually comes to appear and act in the dream she is dreaming.
But due to the particular and anomalous conditions of her cosmological adventure
outside the Pleromic core, the opportunity of the wisdom goddess to manifest in her own dream
is hampered by special conditions that enmesh her deeply with humanity,
her favored species, and bind her into undue preoccupation with the drama of the human world.
The precise elucidation of these conditions belongs to the ongoing practice
of the GNE, the Gaian Navigation Experiment.

The challenge Sophia faces right now -- namely, to effectuate her awakening in the lucid dream
and assume self-navigation by her own power, free of blind capture by the celestial mechanics of the solar system -- can be understood by taking the ten avatars of Vishnu as a prompt, a narrative cue to her situation.
She is not Vishnu and no literal equation of cosmic agencies applies here.
But something more fascinating is in play.

Consider this plot-line:

The Sophianic vision story recounts events in the galactic center (Pleroma)
prior to the emergence of humanity on earth, and even prior to the existence of the earth itself.
Episode four of the sacred narrative describes how the Aeon Sophia and her consort Thelete
engineered the human design, the Anthropos.
Once the phenome of this seminal plasm was calibrated with specific properties,
the entire company of Pleromic Aeons (cosmic gods) projected it outward and embedded it
in the nebular cloud M 42, the Orion Nebula.
There it nested as a massive mycelium web in the Trapezium,
a trapezoidal unit of young stars.

As the Aeons observed, filaments of the mycelium weave of the Anthropic phenome spread out
in fine plasma-sheathed tentacles called linga-sharira,"long sheaths." The propagules of genomic potential
carried in these plasmic filaments stretched across the galactic arm and germinated in favorable planetary settings, rather in the way a fertilized ovum germinates in the wall of a woman's uterus.

All in all, the Pleromic Aeons including Sophia and her consort Thelete, observed the Anthropic phenome germinate in nine world systems, giving rise to nine distinct planetary experiments with strains of humanity derived from the primary matrix embedded in M42. To their alarm, each of these experiments went badly wrong and ended catastrophically, without allowing the human strain in each case to develop to its full potential as defined by the sevenfold calibration of the human endowment set by Sophia and Thelete.

Anthropos-10

The Aeon Sophia is a young and prodigious Divinity -- at the time of witnessing these failed experiments,
about 14-15 years old in Aeonic terms, compared to the "elder" Aeons who may be imagined as a team
of veteran artist-scientists in ripe old age, going on sixty to seventy in human terms.
The elder Aeons had seen numerous disastrous planetary scenarios, but Sophia had not seen so many, so far. Moreover, she herself acting in consort with Thelete had designed the Anthropos,
so it was her experiments that were crashing. She witnessed these events helplessly,
unable to change the course of events: as a young Aeon she was not practiced in the particular mechanism
of cosmic order used by Aeons when they wish to intervene in an experiment underway,
with the intent to correct it or guide it away from risk toward an optimal performance.
Yet she knew of this practice of intervention and perhaps had seen it demonstrated.
As she considered the nine experiments with the Anthropos that went wrong, the Aeon Sophia
engaged in an arduous process: she hypothetically inserted herself into each planetary setting
and scenario, picturing how she would have set it on the right course, had she actually be able to intervene 
in medias res. But she was not really able to rescue these experiments due to her immaturity
and lack of experience in Aeonic projections, setting up planetary experiments with the germinal plasm
of sentient organisms. She could only rehearse the interventions that she wished to have performed
in those nine experiments, in order to divert them from a catastrophic ending.
These exercises were rehearsals of events in the past that she could not revisit or replay.
Following observation of the nine experiments, however, Sophia began to ponder a tenth propagation
of the Anthropos in a planetary laboratory, a scenario that might arise in the future.
Doing so, the Aeon applied all her passion (enthemesis) and her divine intention (ennoia)
toward a future scenario in which she really could intervene, were the Anthropic experiment
to go badly off course as it had done in nine previous instances.
The future strain of humanity she pictured in this intervention scenario could be designated Anthropos-10.

The nine hypothetical interventions of the Aeon Sophia are like the nine incarnations of Vishnu
in which the Dreaming God manifests in his own dream with a salvific effect.
These mythical enactments are merely suggestions of massive events that transpired
in the passive imagination of the Aeon Sophia, as she witnessed the disastrous outcomes
of nine Anthropic experiments preceding the one currently underway on earth.

Docetic Form: Nirmanakaya

According to Hindu tradition, there is a tenth, future incarnation of Vishnu, called Kalki.
This is not a cosmic event in the past, nor is it a hypothetical intervention that Sophia might have performed: it is a momentous happening in the present historical epoch, ongoing in real time;
the coming of Kalki is the palpable, terrestrially enacted intervention of the wisdom goddess
in life on earth right now. Nor either did she anticipate other events that have profoundly impacted her situation, such as the arisal of the Archons and the separation of the sexes. In the current situation,
her intervention is complicated by the fact that,
when Sophia initially preconceived the intervention scenario,
she did not realize that she herself as an Pleromic Aeon would embody the planetary setting
where the experiment to be rescued was unfolding. Hence, the intervention to correct the experiment
with Anthropos-10 now underway on earth cannot be achieved as she originally envisioned it.
For the goddess to come to the rescue of humanity at the last minute,
special conditions must be provided, coming in part from humanity itself....

The highest challenge of the seer in Gaian Tantra is to read these conditions and prescribe the modifications required for the Aeon Sophia to achieve her original designs and purposes regarding the current experiment. The seer discovers what common sense would infer: the wisdom goddess has to do "double duty." She must first continue her active immanent dreaming of the earth and all life that unfolds in the biosphere. Otherwise, all life on this planet down to the molecular levels
would shrivel and collapse, literally overnight.

At the same time, she must effectuate the intervention scenario as a discrete agent able to move and act
her own dreaming, lucidly awake. She cannot merely descend from the galactic center in the routine manner
of a Pleromic avatar, literally "one who descends." She cannot descend at all, because she is already here.
Instead, she has to break out of immersion as a massive planetary body and manifest in the real time presence
of a discrete agent, a character acting in that aspect of her Dreaming that interfaces with human history.
She, who upholds all creatures, has to appear as some kind of creature, an animal form,
or a character resembling a human being -- along the lines of a docetic body, a Nirmanakaya,
to apply the Buddhist term. (Docetic is a Gnostic term: from Greek dokein, "to appear.")

NIRMANAKAYA

 Defined in a conventional sense, the nirmanakaya is the physical body of a Buddha, manifesting in the world
to teach the dharma and bring all beings to enlightenment. For example, the historical Buddha is so considered. The nirmanakaya body is subject to sickness, old age, and death like any other living creature.
More accurately, however, a nirmanakaya is an "emanation body, or "form of magical apparition,"
perceived to be an ordinary physical body but not actually so.
Hence, a docetic form, comparable to a hologram.

Images of female boddhisattvas such as Kuan Yin suggest forms taken by Pleromic Aeons in intervention scenarios. But strictly speaking, such an "incarnate divinity" is holographic rather than physical -- hence it exhibits the special allure of a dream body composed of totally sublime and appealing features, scents, organs, etc, and devoid of corruptible physical traits found in human bodies.

It is highly probable (reckoning from historical studies of the origins of Buddhism by Snellgrove and others) that Indian Buddhists developed the notion of the Bodhisattva from contact with Gnostics of the Mystery Schools some time in the 2nd century CE. This was the moment of the emergence of the Bodhisattva ideal, most likely a reflection or borrowing from the phoster (illumined teacher) of the Mysteries.
It was also the moment of the Prajnaparamita ("supreme wisdom") scriptures which clearly mirror
Gnostic teachings on Sophia, the wisdom goddess. However, when they incorporated these notions into Buddhism, the Asian cousins of the Levantine Gnostics gave them a literal spin.
They turned the docetic form of an avatar into a literal incarnation,
whereas Gnostics denied, for instance, that putative saviors such as Yeshua
could have assumed full incorporation. To this day, Buddhism in all its variants
continues to apply a concrete spin, that is, to "reify" the Bodhisattva/Nirmanakaya,
rather than recognize its purely apparitional nature.

The Nirmanakaya Kuan Yin would be closer to the supra-human perfection of a docetic figure
than to a flesh-and-blood person like a Rinpoche or Lama.
 
In the archonically infected world of the end of Vaishya Yuga
--the age of merchants, which is falsely referred to as Kali Yuga in a heteropatriarchal/archonic demonization of Kali/the Divine Feminine as being responsible for the world's evils-- 
images of the docetic vehicle or nirmanakaya float up into the collective mind in caricatures
slanted and colored by the filters of electronic media and IT. A sleek, sophisticated version of such figures
occurs in the Japanese manga, often starring a ninja girl gifted with occult powers. In computer jargon,
an avatar is a fictional identity one creates on the internet. Often the human author of the avatar
represents this alternative identity by a cartoon or CGI, computer-generated image.
The slick, archontic look, corporal streamlining, and antiseptic feel of such images is unmistakable
and can be strangely captivating. This look assumes extreme form in CGI pornography
and robotized polyurethane sex-dolls, particularly favored among men who are widely known to be totally off sexual intercourse with actual women, i.e., unable to face the biological and chemical aspects of sexuality, the dicey parts, gamey scents, secretions, etc.

The flawless plasticity of women in CGI porn and their life-size counterparts, interactive sex dolls, presents an intimation of docetic form as would be assumed by the Aeon Sophia in the perceptual field
of the archontified awareness of humankind. In other words, the imagery of archontic deviance
from human imperfection, tending toward a streamlined, antiseptic version of the human form,
points toward a supernatural event in the making. It may be that the sleek iconic imagery of Japanese mangas
in some manner prefigures the appearance that the wisdom goddess would assume as Kalki:
the anatomically streamlined female ninja warrior.

Duplex Orchestration

Above we noted that Sophia has to do two things at once if she is to intervene in the divine experiment
now underway. In the jargon of Gaian ecosorcery, this exceptionally demanding feat of double duty,
working back and forth from Tonal to Nagual, is called duplex orchestration. Normally, a nagual
who enters the Supernatural returns with magical knowledge and power which they then apply to the ordinary world, the Tonal, by a set of occult strategies or symbolic-dramatic enactments called orchestrations of fate. In this process, the sorcere(ess) deploys the imaginative power
of the Supernatural in the situations of ordinary life.
Usually, orchestration proceeds from the Nagual to the Tonal,
directed from the non--ordinary into ordinary life.
Thus, the nagual of Gaian sorcery impacts ordinary life with powers and intentions and schemes
drawn from the Supernatural, especially from the realm of the cosmic Shakti, the Divine Feminine.
Gaian Tantric magic with the Shakti Cluster is a practice of orchestrating fate in this manner.

But a shaman(ess)/sorcere(ess) can also perform this impacting tactic in the other direction,
taking orchestration from the ordinary into the non-ordinary, from the Tonal into the Nagual.
To do both simultaneously is duplex orchestration. It must be explained that as much as these words seem to be gendered in a binary sense, the concept of nahual transcends gender to begin with, as the original shaman(ess) is a two-spirit being in Indigenous tradition, one who has balanced Yin & Yang within them & generally identifies with neither pole. If a normal, binary gendered human being is meant to be a 4th density being, the nahual is double that, because 8 is symbolic of infinity, as well as being a mirrored reflection of 3, which is to say, a mastery of the realm of animal consciousness, just below humans. This is why shaman(esse)s are referred to as shape-shifters and can often shift into their totem animal forms. 

Due to the unanticipated conditions of the Anthropos-10 experiment, for which the Aeon Sophia
is herself the setting (planetary habitat), the wisdom goddess must perform a feat of duplex orchestration,
working both ways at once. But she cannot do so without a strategic degree of human participation.
She can by herself bring the non-ordinary into the ordinary, orchestrating the Nagual into the Tonal.
She can pour the beauty and magic of the Shakti Cluster into the atmosphere of the earth
and into the collective psyche of humanity, purely by the autonomous force of her will, ennoia.
And that is exactly what she is doing as she establishes the initial conditions of correction since March 2011. But she alone cannot bring the ordinary into the non-ordinary, orchestrating the Tonal into the Nagual. For that she needs a strategic degree of human coordination. Understand this tricky proposition
and you realize the dilemma facing the wisdom goddess in the challenge to achieve
her pre-envisioned intervention at the precise moment when humanity faces maximum risk of annihilation,
wiping itself out.

We are currently facing that exact moment.

The Second Kali

According to Hindu tradition, Kalki signifies the non-binary, male bodied warrior aspect of Kali, another non-binary female deity who represents a dual aspect of both the ultimate wrath  & ultimate Love & Compassion of the Cosmic Shakti or Divine Mother, a heyoka of sorts who reflects back to her creations what they themselves mirror to others. Interesting concept, here:
the male appearing warrior aspect of a female warrior impulse.

Some representations of the Kalki avatar show a white horse with no rider, suggesting the question:
Who is missing? Why is the white horse riderless? Who shall be mounted on this horse?
This imagery is consistent with the challenge facing humanity today: to restore honor to manhood
in the fullest possibility of genuine virile power that can be imagined.
The haunting image of the riderless horse points exactly to what is missing in the current closing chapter
of the world drama: the second Kalki, the wrath of Gaia-Sophia in male-gendered expression.

Until that happens, the honor of man is a riderless horse.There is a subtle but all-important shift of strategy entailed here: dreaming from the Pleroma, Sophia pictured herself as Kalki, yes,
but as a female-gendered agent of avataric potency. In the actuality of this historical moment,
Sophia can manifest as that Kalki of her original dreaming, but to achieve her original aim,
she requires the seconding of another power, the male Kalika warrior, the second Kali.
In other words, VV herself is Kali-Kalki of the female gender, seconded and assisted by a Kalika warrior
of male gender. The presence and cooperation of the second Kali, embodied in the male warrior,
is the unique adaptation that the goddess requires to achieve her intervention.

Guarding Manhood

So who exactly is the second Kali-Kalki, the male warrior aspect of Kali?
Be assured that is most certainly is not a single person, a single man living on earth.
How do I know that with such certainty? Because the identity of the second Kalki can be derived from the clue contained in the mysterious name, "Andromeda." To the bafflement of scholars and mythologists,
this Greek name means "who guards the man, or manhood." The Greek word andros means man,
the masculine gender, contrasted to anthropos, humanity, comprizing both genders.
The Greek word for woman is gyne.

Now it is extremely odd that Andromeda, the female "victim" to be rescued by Perseus, is called by a name meaning "who guards manhood." In that name looms a huge question: Who guards manhood?
Who does guard manhood? What on earth does it mean to guard manhood, anyway?
Consider the granular detail of this myth, with particular attention to the gender-roles, and hold closely to the Andromedan version, and the riddle unravels: the female bodied warrior, Kali, intervenes to rescue the one who guards manhood, but to do so she needs the assistance of a male warrior counterpart.
Recalling that the one who guards manhood is humanity itself, do you now see the decisive twist
in this plot? The decisive feat of strategy?
For humankind to be rescued by Sophia's intervention, Sophia as Kali must pair with a male warrior who is guarded by the very people to be rescued! In some manner, those people in the world today who "guard manhood" allow the male warrior counterpart, the second Kalki, to enact the crucial role of seconding Sophia in her modified rescue scenario. Run this plot in your mind a few times and, if you can get the hang of it, you will glimpse the terms of the fully modified intervention scenario
as held in the contemplation of our Andromedan doubles.

Honor Returning

For our cooperation in Sophia's intervention, directing the Tonal into the Nagual, a lot depends
on how we understand the identity of Andromeda, "who guards manhood."
But wait, Andromeda is humanity itself! Yes, but not exactly. To be more precise, Andromeda
is that part of humanity that guards manhood -- in other words, the part that honors honor,
that keeps manhood alive as it should be,
recognizes the true nature of it as a matriarchally enforcing concept,
and aids Kali in destroying the corrupted ideals of violent and aggressive,
queerphobic & misogynistic manhood within the current concepts of colonial heteropatriarchy
which have pervasively infected most of humankind.
Manhood in this scenario, with Kali's blessing, allows for the noble use of violent force in the cause of life,
freedom, and beauty. If true manhood as honoring of the Divine Feminine & non-binary beings is lost,
humanity itself is lost from that particular side of our mortal equation,
from the side of the male gender.

In the current moment when the coming of Kalki (Goddess to the rescue!) is immanent,
the burning question before us is, Who among people living today guard -- preserve, protect, and foster --
true manhood in the men of this world? It could be said that whoever does so, be they binary or LGBTQiA2S+, belongs to "the Andromeda corps" of the human species. There you stand
IF you recognize what manhood should be, and act to uphold and preserve that.
Not all human beings living in the world today belong to this class,
the Andromedan corps. But those who do can literally and in a very real, historical sense rescue
 the men whose manhood they recognize and preserve from the religious corruption of heteropatriarchy.

In the current global scenario, it is primarily men who are charged with the task to carry out the orders
of the globalist predators. If they stand down and refuse to carry out these orders,
global catastrophe can be averted, stopped in its tracks. Men who carry out the agenda of the arch-predators act without honor, in a disgusting and dishonoring manner. But if a man chooses to act against orders coming from the authorities who aim to enslave and annihilate the human species, honor is restored. Of course, women/LGBTQiA2S+ beings in the chain of command directed by globalist psychopaths should also stand down, and many are doing so now in a most decisive manner. Yet the actions undertaken by the male archetype of honor will determine a crucial factor in the ultimate showdown, because they are the ones to whom this oppressive patriarchal society gives the most power & privilege to.

The Kalika warrior archetype can also be enacted by a woman/LGBTQiA2S+ being, and in some decisive instances right now clearly are... But all in all, we need the honor of true & noble men to tip the scales
& decide the outcome of the present global nightmare.
Now ask yourself, Where are the men of honor today? Who are they?
And what are they doing to defeat the dishonorable and disgusting actions of the psychotics and psychopaths who have duped humanity into playing out their nightmare? Where are the real men in this world today? Do you know one? Are you one?

The granular detail of the Sophianic intervention narrative, especially the precision of its gender roles,
clearly reveals that some people living today must recognize and guard true manhood if they are to be beneficiaries of heroic actions aligned to the wrath of Gaia, enacted by Kali. 
Yet, the Aeon Sophia needs the heroic action of all.

The second Kalki is not a single man but the entire male contingent attached to her Nirmanakaya vehicle of wrath. The second Kali-Kalki is the summed force of Kalika warriors of male gender.
By contrast, Kalika warriors of the female gender are the summed expression of the Matangi aspect
of the planetary animal mother, while LGBTQiA2S+ beings
represent polymorphic & multifaceted aspects of both & far beyond this.
This distinction is absolutely critical for an effective strategy of spiritual engagement in Gaian Tantra
following the triple formula of love, war, and magic. I have a lot to say about it in the immediate future.


Conclusion

To see the heroic in man and restore manhood to its rightful level of efficacy in the world today,
is absolutely crucial to the great turnaround that looms before us right now,
viewed with an extremely short window of opportunity. Women & queer beings must come to recognize the heroic in good men, allies, so that those men can reclaim their honor and act on behalf of all humanity as such. 
Only with such recognition to guard them, can the Rainbow Tribes & Warriors succeed in counteracting the globalist psychotics and psychopaths, the intra-species predators who would drag the entire planet to ruin in their nightmare of deceit, division, and domination.

Kali is the wrath of the wisdom goddess: she is the first Kalki. The second Kalki is the reborn warrior spirit of humanity, rallied to support the wisdom goddess as she awakens in her own dreaming,
so that she can achieve the intervention she predetermined for our current situation,
the experiment of Anthropos-10, the tenth strain of human germ plasm in this galaxy.

In the current course of events, the Aeon Sophia remembers in her own way the sacred pact of woman and man commemorated in erotic rituals by her priestesses of old. As she does so, we of the human species face the rare and fleeting opportunity to recover the consecrating power of that pact,
in our own way, on our own terms,
here and now.